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Memories and Magnetic Fields

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“Writing of Water’s Memory to Metal” (Water Brass Art image, Aug.2012)
Memories and Magnetic Fields By John Byde
Our blood is red due to the effects of oxides of iron.

As the needle is to the groove of an old 45 vinyl, the magnetic field is to these oxides.

Jacques Benveniste said water has a memory.

The oxides write the gross magnetic field to the fluid in our blood.

Blood circulates with oxides in water; a constant write read fluid hard drive.

The magnetic field of the Earth does similar; read write solar and cosmic data.

A strong magnetic field over rides other data. That which is closest to you has the greatest effect.

As the magnetic field of the Earth fluctuates or drops, it’s like a flower opening.

It will allow data, impressions from further afield to enter our fluid awareness.

Memory is related to time. Nostalgia isn’t what it used to be.

You could liken the strong magnetic field to the Akashic record.

Wise ones would isolate frequencies by being still, no thought = no read write to the records = no karma. From this place they looked to other tracks in other vinyls, not just from the Earth field or they wrote their own.

There are places that exist on Earth where the magnetic fields are tuned, these are taken advantage of by wise ones in order to find the place of non interference and sense their own field.
For the truth in this switch off thinking = no thought zone, that is the centre of the see saw of the creation of the labyrinth we enjoy for the walls are made of thoughts and words.
Future memories and that which has any value is creativity, the currency of all that is. To enjoy this we become all that we are not while aware I AM.

John Byde

BRASSES, WATER, PATIENCE & TECHNOLOGY

IMG_0263“Brasses, Water, Patience & Technology” by John Byde

Some brasses are a challenge.

I can see there is something in there that needs coxing out.

An image forms in my head, usually a landscape or star scape.

The problem is perspective; there is nothing the eye can identify as one particular thing.

To bring out hidden depths I have to go to the limits of the camera.

I reduce the light so I can just see an image with the fastest I.S.O, film speed and the largest aperture.

At this point I can start to have some fun because any faint reflection or direct light will be picked up.

When a led reflects off the brass the angle is crucial. It has taken many hours to learn.

Many brasses are lit from behind the camera so the camera casts a shadow on the brass.

I work round the shadow and sometimes it adds to the mystery, a dark spot.

For focus it is ideal to have the lens plainer to the object parallel in 2 axis of rotation up down and side to side.

This is easy to do with jigs or trolleys like a rail way.

It is needed because using 100mm Macro lens you cannot zoom using the lens you have to physically move the camera forward or backwards to get a close up at one to one.
I found that the light would flash brightest by tilting the object in the two plains mentioned above.

So now the light is illuminating the object but the piece is tilted relative to the lens.

The focal length of the camera is only a few millimetres so some part is out of focus, another variable to play with but it does get round the problem of the cameras shadow.
Having developed over 200 brass sheets in streams we are experts in noticing good contenders for WBA’s rogues’ gallery.

At these low light levels the camera will pick up the reflection of one led light off my hand. I hold my hand a few feet away from the brass and light my hand with the colour led I want. Meantime my other hand is holding the automatic shutter release and another light; I have even used clothes pegs to hang lights off the curtains to pull out details that briefly flash.
So this is extreme photography.

If direct light is used such as a flash the surface reflection is flat, no depth and it is the depth that adds the interest and where my imagination can go to work.
The journeys I have been on, to other worlds and cosmoses to pull out stellar clouds and nebula, or is it a cave, forest or a photo bomb of the water spirits?

The combinations of light water brasses a vivid imagination long patient work have made these images.

Thanks to Goethe and his theory of light.

I have spent about 3,000 hours on these. 10,000 hours is a master.

JB

Commentary on Water Brass Art production

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Commentary on Water Brass Art production

The brasses take an image from water.

I have little control over how the image turns out.

Where and how the brass is placed effects the image because.

A brass placed under a rock in a flowing stream shows a flow like a long silk scarf blowing in the wind.

Brass placed in a fast flowing stream tethered by a string where the brass floats without touching anything but the water produces the high frequency colours of blue & indigo.

A brass placed under a drip at angle produced another image. See The Shrine series > examples, images 17 & 18 @ https://www.waterbrassart.com/gallery-1/ 

A brass horizontal to the drip yet another, see Eye of the Storm > examples, images 27 & 33 @ https://www.waterbrassart.com/gallery-2/ 

The brasses do not just corrode, or oxidize, they have depositions on them some look like iron oxide in that they are orange and powdery when dry. Others have crystals embedded, which look like Quartz others have bright red tiny flecks that look like Ruby.

We have not analysed these surface materials to know what they are.

We did take a sample to Leeds University, to their scanning electron microscope, but it was inconclusive.

Photographing the brasses and illuminating them is an art.

You need command of how a camera works then the piece has to be lit.

Surface lighting produces a flat image.

Background lighting starts to give depth.

Sometimes I will have a piece of paper with a led shining on it 7 feet behind the camera or a directed LED. In the two pictures above, I shone several LEDs onto the brass directly. The LEDs image is blurred because the camera is focused on the brass surface.

I did this because I had recently read Goethe’s theory of colour, where magic happens at the edges, colour appears at the edges, then I wanted to mix some colours.

The frequency of the LEDs looks pure but I have no means to test that at the moment. We look at darkness through light or the opposite.

John Byde

 

Educational Art Comparison

“A Parallel between WATER BRASS ART (WBA) and the Art of Polarized Light Microphotography of Chemical Crystals”
By Isis St Germaine, Water Brass Art collaborator & manager
Following threads in life and making connections have added special meaning to my day-to-day life. It has become a way of being. Some time ago, I came across micro-crystal photography; just looking at some of the images seemed to play a tune, familiar enough to suggest that there was a particular reason besides the pure entertainment of taking in visually pleasing art.
To my knowledge, Water Brass Art is a new art form. Before its quiet birthing in 2008, which was due to the ingenious experimentation of its inventor, John Byde, it was not yet known that running water on a brass sheet for a few hours can imprint colourful images! …natural water being the hand, the brush and the colour; brass being the sheet of artist paper to present the results.
In my collaboration with and privileged training by my partner, the Artist himself, I have witnessed time and time again that placing a small sheet of brass underwater in a stream, for example, is enough to produce magical results. This process is rather ‘simple’, the hard part being later; the Artist creating the correct environment.
The lighting is key to capture photographically the colourful wonders already ‘written’ on the plate of brass. Well, macro-photography is an art by itself.
When one observes the brass surface coming out of water, the patterns and colours are already there -obvious to the human eye, there is no sign of corrosion or rust on the metal as logically expected or imagined by some; just a beautiful dance of all kinds of shades of colour forming abstract images echoing the language of the Water, their creator.
To continue, it is inevitable to the interested thirsty mind to wonder about the underlying mechanics of Water Brass Art; its alchemy, its science, its Gift? What forces on earth create it?
Some time ago, we visited the Scanning Electron Microscopy Centre/Institute for Materials Research (at Leeds). This brought forth little insight or enlightenment as to what is happening ‘behind the scenes’. It seems that researchers had never seen anything like it; wording explanations in their report ranged from ‘discolourisation’*… (!) to ‘contamination’ to ‘corrosion’.
*The colourful image below, as taken by the inventor of WBA, is image no.6 called “Sacred Dance”, from gallery-1 (2009) ~
~ see https://www.waterbrassart.com/gallery-1/
This is an excellent example of a picture taken while Water still running on Brass.
6) Sacred Dance
 
It feels to me that the divine alchemy of Nature cannot yet be explained in the third-dimensional laboratory. Still, while looking at a Water Brass Art plate surface through a standard microscope, many tiny crystals can be seen quite easily suggesting that water somehow finds a way to transfer its crystalline structure to the brass. Being already sensitive to the majesty of the world of Stones & Crystals**, it has been my heart-felt view that this has been so, which brings me to discuss why I was so driven to explore further the field of micro-crystal photography.
**The macro-image below as taken by the inventor of WBA, is image no.16 called “CrystalBrass”,  from gallery-1 (2012) ~
~ see https://www.waterbrassart.com/gallery-1/
This is an example of a natural Labradorite Crystal (left) next to Water Brass Art (right).
16) CrystalBrass
 
Furthermore,  micro-photographs are images of microscopic scale and micro-photography is the art of creating such images. To read more on polarising microscopes, one can visit: http://en.wikipedia.org/wiki/Polarized_light_microscopy.
In this process of investigation, I became more inspired while reading the generous descriptions of technique by two highly respectable Artists in the area of Polarized Light Microphotography of Chemical Crystals.
My understanding is that ‘the Art of micro-crystal photography is about capturing natural patterns formed in home-grown chemical crystals by applying polarising light.’
To read more on home-grown/chemical crystals, you can visit: http://chemistry.about.com/cs/growingcrystals/a/aa012604.htm
The aforementioned Artists are:
Doug Craft, Artist and specialist also in micro photos of chemical crystals. His technique involves preparing chemical crystals on microscope slides and photographing through polarising microscopes. http://www.dougcraftfineart.com/indexframe.htm
To view his microphotography page, you can visit:
http://www.dougcraftfineart.com/frameArtistInfo.htm (click on Artwork then on Microphotography)
And,
Carol Roullard, Artist – http://vistafocus.net/
According to C. Roullard’s interesting blog on ‘Polarized Light and its Effect on Crystals’:
“With a standard microscope, the crystals are almost completely transparent, barely visible, but by using two polarizing filters, the crystals appear as brilliantly colored structures.” To read the Artist’s whole article, visit: http://vistafocus.net/polarized-light-and-its-effect-on-crystals/
Also, other interesting pages on Micro-Crystal Art:
http://www.microscopy-uk.org.uk/mag/indexmag.html?http://www.microscopy-uk.org.uk/mag/artapr03/rhmicroart1.html
https://www.facebook.com/MicroCrystalProject?fref=ts
To summarise my tentative findings, once more it has been confirmed to me that life does bring proof of things in mysterious ways. Sometimes there are direct explanations and at other times, indirect is all that one receives until further information reveals itself.
Watching some of the images of the above artists, one can readily notice the connection – parallel – to some of the images of Water Brass Art.
What does this mean to me? That the whole process of producing micro photos of chemical crystals stands solid as possible proof that the Water Brass Art brass sheets contain natural tiny crystals gifted by Water.
After all, these crystals together with the Artist’s choice of lighting angles during photography are the main reason behind the beautiful colours that present themselves in Water Brass Art, which by the way, is a photoshop-free and edit-free art.
Thank you for reading this.
Comments are welcome.

“Relationship of implosion to Schauberger, the hyperbolic spin rates, Oloids, centripetal centrifugal motion and flexible numbers” by John Byde

3-Eclipse
Water Brass Art image no.3 from gallery-1, “Eclipse Under Vortex”
3)_EclipseInverted
Water Brass Art image “Eclipse Under Vortex”, inverted for the purpose of this post
 
“RELATIONSHIP OF IMPLOSION TO SCHAUBERGER, THE HYPERBOLIC SPIN RATES, OLOIDS, CENTRIPETAL CENTRIFUGAL MOTION AND FLEXIBLE NUMBERS” BY JOHN BYDE
The father of implosion was Victor Schauberger. He talked of three forms of planetary motion: orbit, spin and circulation.
I equate orbit with centrifugal, spin with centripetal, circulation is unavoidable when you have the first two, circulation is ‘called’ when the first two are in a harmonic ratio (Woowoo science).
The implosion turbines of Schauberger were controlling or continuous cavitation via pressure gradients especially in the wavy plate repulsins designed on the phi ratio. The manifestation of the collapse called cavitation was not manifest within the machine because of the materials used and pressure gradients (pressure is not limited to atmospheric – heat is a pressure) within the machine. He managed the edge of cavitation. Why this manifests as spin rates is described below and leads, as you have probably seen, to the direct conversion of energy to matter in this realm.
The simplest example of cavitation is to clap hands; it is the collapsing imploding multiple air vortices that exceed the speed of sound that make the clap.
The function of his simplest designs was to bring the centrifugal movement to the centre of the object spinning by squeezing and rolling (tempting to say sheer but it is not quite, more like spreading butter Victor’s emulsions).
The shape for this is the hyperbolic.
The measurement of this is presented by three things. Two measurable or calculable below.
1. Spin rate.
2. Hyperbolic Gradient. note: if your spin rate is out of synch with your gradient you radiate, if it is in synch you are matter.
3. There is a third, at present not represented in mathematics and that is the journey of a particle to any point on the hyperbolic from another point. This is usually done by vectors, straight lines tangents to a circle (birds nest of lines going round an empty centre showing the only hole number is 0. lol This journey on the hyperbolic linking spin, orbit & circulation is why there are problems in conventional maths; the where is it when is it.
We need another kind of maths because the way the matter / energy travels in this hyperbolic is not explainable by vectors, we need flexible numbers.
The stability of the spinning object is altered by small influences.
Through kinetic inversion and the maths of Oloids. The spin axis sweeps the full ‘surface’ of the particle i.e. the north pole spin becomes the south with zero loss of angular velocity but your north pole is now the south pole and the particle is still spinning in the same direction. Yin Yang in movement.
The hyperbolic is the best way to bring matter to its maximum concentration, 4 degrees in the case of water under the pressure of one G (gravity) at our orbital spin ratio on Earth. (Meaning on other rocks this may vary because the pressure gradient even in the form of spin and orbit are different).
For axial spin in harmony with orbit round the centre of a hyperbolic, imagine two rails wound in a hyperbolic. Place on these two rails a ball bearing. When it starts the tilt of the spin axis will be slightly off the horizontal causing it to roll down the hyperbolic, as it goes its spin axis will rotate from near horizontal to near vertical at the bottom as its distance from the centre reduces. While doing this the low speed orbit will convert to extremely high spin rate because the orbital vector will eventually be contained within the object itself, with a small amount of precession because the particle only approaches the vertical and never gets there.
When it goes through kinetic inversion, release from the containing vortex, this would be a nozzle or jet, it will do a variety of things. If its spin rate is too high for this material world (matter pressure in proportion to energy pressure, all spin rates) it will disappear, see Hudson’s experiments with white powder of gold.
Probably because the spin rate is the same as the orbital rate; centripetal (inward) and centrifugal (outward) motions are one with spin axis.
The rapid change of pressure causes cavitation; the rapid change of which pressure and where exactly? If it doesn’t include spin rate and gradient on a hyperbolic the maths are wrong. (Ducking the flack, head above parapet statement begging a question).
jb
 

Future

IMG_1534
The writing below, including the above Water Brass Art image “Interdimensional Capsule” [image 21 from gallery 2 ~ https://www.waterbrassart.com/gallery-2/?nggpage=3] relate to a discourse on a personal expansion of the word ‘future’.
Synonyms for the word ‘future’:

  • eventual .
  • forthcoming .
  • imminent .
  • impending .
  • planned .
  • prospective .
  • subsequent .
  • ultimate .
  • approaching .
  • coming .
  • final .
  • inevitable .
  • unfolding .
  • booked .
  • budgeted .
  • close at hand .
  • coming up .
  • destined .
  • down the line .
  • down the pike .
  • down the road .
  • fated .
  • from here in .
  • from here on .
  • from here to eternity .
  • from now on in .
  • in the cards .
  • in the course of time .
  • in the offing .
  • just around the corner .
  • later .
  • likely .
  • looked toward .
  • near .
  • next .
  • scheduled .
  • to be .
  • ulterior .
  • unborn

The last one is the most interesting synonym for future.
Unborn that allows a multitude of possibilities and combinations. Mind expanding.
So if you were going to leave something, like a key or an important artefact what might that be, where and how would you hide it for some future event? Bearing in mind that others might be interested. To make sure they cannot find it and only you could you would need the best code. The best code we know of is not a enigma machine or computer code they are but shadows of the ultimate which is DNA.
The DNA would be only partially the code, the owner of the DNA would also have to remember certain things, an order and place of thinking/feeling. All thoughts leave a residue in this time space regardless of the orbit or spin of the Earth. These thought feeling spaces are in 3d but only picked up by the dividual that left them. The more focused the thought the more enduring the field. If the field is left by said holder of DNA they are the only ones that can pick it up and there may be more than one thought field. Having found the first thought field the key to others would be available for decode. Most non linear, so impossible to pick up by those stuck with linear thinking. Some thought fields may not be in this, so called dimension so one would have to reach through, using a special process to the other dimension, not necessarily for an object but another thought space.
What would be worth the trouble, is there anything so valuable worth this effort?
Only if one knew that they lived in a labyrinth would they take any trouble to see it and navigate out, or have the opportunity to do same. They may decide to stay put and forget the hole idea, enjoying their creations while forgetting they created them.
Woe thrice woe is he that enjoys forgetting his creations. ha ha, happy daze poor human in your hack proof maze.
John Byde
 
 
 

Gravity Manipulation & Uses

“GRAVITY MANIPULATION & USES”
  BY JOHN BYDE
Lets talk about what we will do when we have ? as if it is here already, then the universe and our clever people can figure out how to do it.
Not everyone holds your beliefs Morpheus; my beliefs don’t require them to.
 
Obese male 45 post-operative back injury recuperation.
With my new A/G unit it means I can exercise. 
With the Extensive G settings it means I can select 75% g until my weight comes down after my back operation.  Gradually reducing the G setting means I don’t have to go to the hospital for physio.  With the bonus of the inertial damping it means I can never fall over and hurt myself.
75 year old grandmother.
I like my G unit it gives me confidence when I go to get some things from the store, if its icy, I am not afraid of falling because I know it will put me gently back on my feet.  (3 axis accelerometer to inertial damper unit).
20 year old male.
I use mine for fitness training I increase gravity to plus 10% and go through my routines.
Goods in goods out depot.
We don’t know how we managed before; fork lifts seem a weird idea now.  We handle all our pallets with A/G unit. Developed in the US and manufactured in Detroit it’s got to be good.
Hikers
WE use ours to generate power it lifts water and we let fall through our turbine, we like travelling so we can set up anywhere.  We even used it to get a friend off a mountain.
Father of 3 Minneapolis.
They are so cheap now we use ours as a chair, but make sure the damper is on in case someone gives you a shove.
Festival organiser.
WE adapted ours to hold up a big tent, no poles are great and it’s so easy to create a space.
We take the whole family on ours we bought 6 from G Mart and hung them together by hacking the inertial dampers and telling them they were one unit.  This means we can put the garden shed on it if we want; our favourite thing is sun-downing.  We track the sun at about 1,000 mph and not a breath of wind.  We have several paths over the desert/ocean and have noticed others up there with the same idea.
We have another arm to our ground based festivals. People arrive on their units or ground based and they are ferried to The Rock, we call it that because we rock and it took us a lot of searching to find and buy a ¼ acre solid granite base which we have built this experience on.  We pick up and drop off by ferry most days so we are a festival in the sky, a cruise liner of the air and we are very popular, especially over China.
Hacker.
After the idea took off lol, we cancelled all our air miles; anyone can build what they want so long as parts don’t fall off.  Airworthiness is not an issue so lots of people are finding new things to do with all their spare time.  These things don’t pass any ports and are almost impossible to track.
Online business.
We use A/G drones for all our deliveries, early days was a problem with people ordering crap and hijacking the units, but now they are so cheap we even find old units returned, (ip chip for homing protocol) so people switch on old units and let them go.
The Jones’s from Edgbaston.
It’s a whole new use for google earth, we plug in coordinates and if we fly low enjoy the scenery or if we are high watch a movie, and our record is 1 hour 45 minutes to New Zealand from the UK!
Remote pitched guy.
WE get annoyed with the hoppers, you find a good patch to hang out in for a few weeks, good fishing and stuff growing fast,and before you know it someone lands next door, darn hoppers.
A/G inertial dampers manufacturers’ spokesman.
Because our units last for many years even decades buildings no longer need foundations, no earthquake damage, also no tax because they have no foundations, you just move the building and replacing a unit takes ½ an hour.
Tax implications.
Most people travel the World now so tax is very hard to apply.
Ground based people still pay local taxes but collection is a problem because no one wants the job.
Random girl flyer.
We tend to trade in goods or things we have made for local food or put on a show.
The bottom fell out of a load of markets when they came in but a whole new set of markets opened up, it was like the kids were let out of school early.  I used to make a fortune on Forex trade but I don’t miss that office a bit.  I love real coffee so I fly there in person and trade with a farmer on the antiplano; he likes Vino Verde from my vineyard in Portugal. So we are both happy.   I don’t go there because I have to. Profit, I really think that is an outmoded idea.  Experience, now that has mileage.
Amazing results company new start up.
We get anything fresh we have over 20,000 units in the air at any one time you need it we got it.
Because we can manufacture in zero G, it means there is no expense to produce exotic materials that were only possible before in Earth orbit.
New Start up.
We are a hybrid-coanda A/G unit builders. This means you can have the best of both worlds.  Don’t be fooled by the stubby wings they interface with the A/G system and let you fly a jet a glider or a wing suit, see the video of a barrel roll up the grand canyon or The North Face fly by, what a blast.  We hope to have our units available next year. 
Pundit.
Telecoms took a dive even the internet went dull, most people just go and visit places, friends, family rather than talk on the phone.  They stay for a while and move on, but there are plenty of stay home people, they know it’s there but are happy to use cars ha-ha.
All slopes A/G skies.
WE have never been busier access to remote ski slopes is possible now because helicopters were so limiting. Through traffic has gone up 1,000% in 2 years, people in their 70’s come because there is little danger of broken bones if you tune the skies right.  We have taken great care in the selection and training of our guides, all are welcome.
Armed forces amalgamated.
Zero wars since they came in, there is nothing to fight over, and if people need something we give it to them.
All the desert are greening nicely rainfall in the Sahara is up 300%. Desalination took a leap with the adapted units and the release of some patents…….
jb